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The title Save the Cat! was coined by Snyder to describe a decisive moment when the protagonist demonstrates that they are worth rooting for. Snyder writes, "It's the scene where we [first] meet the hero", in order to gain audience favor and support for the main character right from the start. In the opening scene of the movie Frequency, for example, Frank Sullivan, played by Dennis Quaid, is a veteran firefighter who jumps into a manhole to save two workers from a gas explosion. Snyder argues that Frank's casual confidence facing danger makes him interesting to the audience. From this point, the audience is fully invested in Frank's well-being and rooting for him to succeed.


Synopsis: Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.


Synopsis: Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City from the brutal guerrilla terrorist Bane.


Synopsis: An aging Chinese immigrant is swept up in an insane adventure, in which she alone can save the world by exploring other universes connecting with the lives she could have led.


There are at least cinquante reasons to see The Triplets Of Belleville, French animator Sylvain Chomet's astonishing debut. For starters there's the practically dialogue-free plot (a club-footed grandmother mounts a rescue mission to save her grandson from the Mafia during the Tour de France), the set-pieces (the opening musical number, a pedalo chase, a last reel getaway), a great supporting cast (sad-faced cyclists, larger-than-life mobsters) and the titular ageing music hall stars who steal the show. It spices up a silent movie look with surrealism but thrives on daring to go to a place most animation doesn't dare: it flits between sadness and satire (Belleville is a thinly-veiled America) and nostalgia to become a paean to times gone by. Somehow it also manages to be funny as hell.Read the Empire review.


Cartoon Saloon (and co-director Tomm Moore) wrapped up its Irish Folklore Trilogy with this latest release, a fantastical tale set against the very real issue of English colonial destruction in Ireland. Robyn (Honor Kneafsey), the daughter of a hunter dispatched to wipe out the local wolf population discovers a kindred spirit in a pack and fellow youngster Mebh (Eva Whittaker), who embodies a wolf when she sleeps. Together, the pair sets out to save the wolves and the forest from the schemes of the Lord Protector (Simon McBurney). Moore and the Saloon gang have always trodden their own animated path, and Wolfwalkers is no different, mixing boxy woodcut style for the townsfolk with loose, flowing line work for the creatures of the woods. Both sweet and powerful, it's a crime that the pandemic meant it was predominantly released online.Read the Empire review.


The lone gunman Django, played by Franco Nero in the role that made him a star, is introduced dragging a coffin across desolate terrain. Close-ups pan up his body to rest on his swarthy, blue-eyed visage, and like all strong, silent cowboys he's ruthless, but moral. He follows his own code. This influential Spaghetti Western, filled with striking compositions, follows Django as he fights two brutal gangs and saves the woman he loves.


Randolph Scott and Richard Boone play two men on opposite sides of the law in this tense drama known for its dark and austere aesthetic as it examines morality in the Old West. Boone plays an outlaw who befriends the man he kidnaps (Scott) as the two are forced to confront darkness within. Maureen O'Sullivan stars as a newlywed offered up for ransom by her husband after a stagecoach heist goes awry.


In this widescreen epic, macho men take on a familiar quest: retrieving a woman captured by a villain. Jack Palance plays the evil Raza, with Burt Lancaster and Lee Marvin on board as the hired guns sent to retrieve a woman who doesn't want to be saved.


Italian actors Terence Hill and Bud Spencer play outlaw brothers in this slapstick send-up of Spaghetti Westerns that indulges in the genre's tropes and style for comedic effect. The brothers find themselves in a Mormon enclave after Trinity falls for two sisters, and though he intends to marry both it goes against his gunslinging, horse-thieving nature.


Another entry in John Wayne's "Cavalry Trilogy," "Fort Apache" casts the classic Western hero as a captain overlooked for a post that instead goes to a pompous lieutenant played by Henry Fonda (Shirley Temple shows up as his daughter.) Wayne and Fonda vie over the right way to deal with the Apache peoples nearby.


Alan Ladd plays the mysterious drifter who sidles up to protect a bullied homesteader family, saves the day, and then rides off again into the sunset. It epitomizes Western tropes about the lone gunman, his code of honor, and his inevitable departure, as epitomized in the famous ending lines. "Shane! Come back," as yelled by the child who'll never forget the exiting hero's masculine bravado.


In this Spaghetti Western, the gunman Silence (so named because of slashed vocal cords,) goes up against the nihilistic evil so often embodied by the corrupt villains of the genre. This film is known for its striking visual compositions that render the stark beauty of bleakness with unsentimental fatalism.


Using Akira Kurosawa's "Seven Samurai" as a thematic and narrative template, this iconic Western depicts an innocent community in need and the cowboy "samurai" who arrive to save it. Yul Brynner, Steve McQueen, and Charles Bronson star as the hero warriors in a film that explores corruption and the honor and sacrifice required to overcome it.


John Ford's flashback story about the ways legends become fact, creates a few myths of its own around what makes a heroic man. The "man" of the title exists as a conflict between an eastern politician (Jimmy Stewart) and the Western cowboy (John Wayne) who always arrives to save him. Lee Marvin stars as the archetypical bully, Liberty Valance, so evil that whoever kills him will become a legend. 153554b96e






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